One of the fossils at the Gilboa History Museum is displayed upside down so that its root system and impressions of the nearby forest floor can be seen.
Goldring worked with Sidney K. Clapp, an engineer, to design a roadside exhibit in Gilboa. This is one of his sketches, as the layout of the final project was becoming clearer.
Despite the decision not to move the Gilboa forest exhibit with the rest of the museum in the 1970s, the New York State Museum still owns several Gilboa stumps. Along with the other fossils that Goldring collected during her career, these serve as…
A roadside exhibit in the spirit of Goldring's still exists. It was last renovated in 2001 and continues to be cared for by the Gilboa Historical Society. It is a source of pride in the community.
Featured in a 1914 publication of Arbor Day -themed poetry, this image of a Lepidosigillaria, or Naples Tree, restoration represents the museum's approach to Devonian exhibits in the early 1900s. What was termed restoration then might be more…
Brief article from the Times-Union announcing Winifred Goldring's appointment to State Paleontologist in 1939. This was probably copied from the clippings saved by Marion Goldring, Winifred's sister-in-law, about her promotion.